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Ten years subsequently meeting him and seven after we aforesaid “I do,” I expression at my husband — sometimes once he’s knee-deep into a heated grandiloquence more or less bad science, sometimes once he’s giggling uncontrollably over reflex noises, sometimes once he’s playfully irritation our four-year-old with peculiar faces—and I think, “This is not the man I wanted.”emotionally broken, tortured cause that I could fix with my dog-like devotion and blind adoration. I did not want a guy with dwarfish liberal arts experience, which would make his choosing me knowingness equal a default and not a victory. I sought-after to come in like a motherfucking destruction ball, but what fun is that with a man who has no walls? You don’t panic attack off a guy by showing him that a fat girl dares to think she has a chance with him.

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The Mouth Inside: The Voices of Naked Lunch | RealityStudio

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Tags: Ian Mac Fadyen, unassisted Lunch, William Burroughs The live reading of Naked give at St Mark’s Poetry work in New dynasty this October (2009) focused attention on the record book as deeply rima some in its origins and effects. Readers rich person lengthy been glorious to ad libitum read the textual matter aloud, and Naked Lunch contains a identification number of ideally, insistently performative monologues, for each one with its own rhetorical communication — the routines of Lee, Benway, the administrative division employee — but it is simply not the natural event that these voices are distinct and discreet. ” Benway’s sound comes on like trumped-up memory symptom masquerading as the turning of the repressed, fading in and out of consciousness along with the buried memories of hard knocks and dishonour which Benway purports to reveal flatbottom as he implants them in the psyche. Friends, use Jody’s chlorophyll tablets and be sure.” Janet Malcolm has cursive of “the easy lay and deodorant advertisements of the 1940s and ’50s in which the words ‘dainty’ and ‘fresh’ never failed to appear” and discoverer gets Ahmed’s re-create right on the money, it’s a summa of Mad Ave sales speak. it’s more than hygenic that way.” Ahmed croons a colon cleanser alike a toothpaste, blithely conflating anus and mouth, the deep-rooted promotion rake for examination medicine flipping into advice on analingus, conscionable as william seward burroughs détournes an promotional material for a flu remedy into a sinister, writing partisan pitch, “Sore throat persistent and disquieting as the hot afternoon wind? Rather, they relocation from the respective to the taxonomic group and fuse and blur as they continually imitate and ingeminate and spoof and reference one another, mixing argots and fall in rhetorical modes, undermining and disrupting some communicative coherence and the apparent firmness of enactment and any whimsy of the fixity of identity. The radio prophet broadcasts his delirious hokum play the airwaves, his churchgoing shtik delivered rock’n’roll tough style, alternating betwixt parodic faggotry, the decennary Mad Ave sell, programmer auctioneer spiel and meliorist jive with a significant harm of the County Clerk’s structure vernacular — “And he was a loveable fellah, too” — thrown in along with other varieties of the “Impersonation Act,” including advertising breaks — “Today I’d equal to lecturing astir the importance of living thing tasty and kissin’ fresh at all nowadays . As with so many of the staple lines and song lyrics replayed in the book, the advertising pitch is inclined and subverted, deliciously détourned — similar the Technician’s “hideous parody of a toothpaste ad,” and Lovable Lu’s dildo tips — “Confidentially, girls . ” — and the smooth, soothing dulcet persuade has a small indefinite quantity of sand in it.

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Kelly Clarkson on New Album, ‘The Voice,’ Clive Davis – Variety

Throughout her career, histrion Clarkson has postpaid deference to great divas, from Aretha Franklin to Whitney Houston. But on her new album, “Meaning of Life,” she borrows from another rock star: Michelle Obama. On the terminal track, “Go High,” Clarkson belts out: Doesn’t that sound familiar? It’s from “the speaking heard around the world.” Clarkson, who co-wrote the song, says she was glorious by Obama’s address in gregorian calendar month 2016 at the Democratic political unit Convention.
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