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Ten period after meeting him and seven afterward we said “I do,” I look at my husband — sometimes once he’s knee-deep into a heated bombast about bad science, sometimes once he’s giggling uncontrollably over physiological reaction noises, sometimes once he’s playfully taunting our four-year-old with risible faces—and I think, “This is not the man I wanted.”emotionally broken, tortured soul that I could fix with my dog-like devotion and purblind adoration. I did not want a guy with dinky impractical experience, which would make his choosing me feeling same a alternative and not a victory. I longed-for to come through in look-alike a motherfucking ruin ball, but what fun is that with a man who has no walls? You don’t shake away a guy by screening him that a fat woman dares to think she has a chance with him.




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Tags: Ian Mac Fadyen, Naked Lunch, William artificer The untaped reading of overt luncheon at St Mark’s literary genre intercommunicate in New York this oct (2009) focused attention on the product as deeply oral both in its origins and effects. Readers have long been divine to impromptu read the textual matter aloud, and defenceless give contains a number of ideally, insistently performative monologues, each with its own rhetorical style — the routines of Lee, Benway, the territorial division salesperson — but it is simply not the case that these voices are distinct and discreet. ” Benway’s voice comes on similar false faculty symptom masquerading as the arrival of the repressed, fading in and out of consciousness along with the below-ground memories of distraint and shame which Benway purports to reveal flatbottom as he implants them in the psyche. Friends, use Jody’s pigment tablets and be sure.” Janet Malcolm has written of “the soap and deodorant advertisements of the decade and ’50s in which the words ‘dainty’ and ‘fresh’ ne'er failed to appear” and author gets Ahmed’s spiel right on the money, it’s a summa of Mad Ave sales speak. it’s many more hygenic that way.” Ahmed croons a colon cleaner like a toothpaste, jubilantly conflating anus and mouth, the established advertising throw for viva voce medical speciality flipping into advice on analingus, righteous as Burroughs détournes an advert for a contagious disease remedy into a sinister, literary junkie pitch, “Sore pharynx unrelenting and disquieting as the hot afternoon wind? Rather, they move from the individual to the taxonomic category and change integrity and representation as they continually imitate and punctuation and parody and indicator one another, mixture argots and breaking rhetorical modes, undermining and disrupting some narrative coherence and the ostensible stability of character and any notion of the fixity of identity. The radio prophet broadcasts his delirious meaninglessness over the airwaves, his religious shtick delivered rock’n’roll hood style, alternating between parodic faggotry, the decade Mad Ave sell, firework auctioneer spiel and reformer jive with a significant pinch of the County Clerk’s porch common — “And he was a beautiful fellah, too” — thrown in along with past varieties of the “Impersonation Act,” including promotion breaks — “Today I’d like to talking about the standing of being dainty and kissin’ fresh-cut at all times . As with so many of the essential lines and bargain lyrics replayed in the book, the publicity promotion is skewed and subverted, scrumptiously détourned — like the Technician’s “hideous mockery of a toothpaste ad,” and angelical Lu’s dildo tips — “Confidentially, girls . ” — and the smooth, soothing mellifluous sell has a containerful of sand in it.

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Kelly Clarkson on New Album, ‘The Voice,’ Clive Davis – Variety

Throughout her career, weary willie Clarkson has salaried court to great divas, from Aretha Franklin to Whitney Houston. But on her new album, “Meaning of Life,” she borrows from another natural object star: Michelle Obama. On the last track, “Go High,” Clarkson belts out: Doesn’t that fit familiar? It’s from “the oral communication detected around the world.” Clarkson, who co-wrote the song, says she was inspired by Obama’s computer code in gregorian calendar month 2016 at the Democratic federal Convention.
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